ShanghaiThe cover shows, John Cussack, Gong Li, Chow Yun-Fat and Ken Watanabe. One should think this movie could be something exceptional. After seeing this, I wouldn’t go that far but it’s safe to say this movie is quite stylish and well made.

First of all, you can’t really go wrong with a cast like this. Even if the movie was horrible you’d still have a cast that could save a movie like this. But, this movie is far from bad. Instead we get a look at the Shanghai streets just months before the incidents at Pearl Harbor. The movie centers around secret agent Paul Soames, played by John Cussack in an ‘auto-pilot’ kinda way. Soames makes his way to Shanghai because his friend and co-secret agent was killed. It’s up to Paul Soames to find the people responsible for it.

At 45 years of age Gong Li looks absolutely stunning

In a way this movie feels like it’s an hommage to the classic film-noir genre. The movie is basically a gangster/detective flick with that black and white feel of the 1940′s. I feel this movie properly includes the classic noirish themes of the 40′s – 50′s that gave the classic films the reputation they have now. Director Mikael Håfström does a great job to bring the pre-occupied Shanghai to life. With almost no CGI and plenty of ‘real’ sets and extra’s it’s a great change of pace from those movies that are filled with explosions every two seconds.

As said before. The actors do an exceptional job. Cussack kinda under the radar with this role of secret agent. He has this calmness and subtleness over him. The stunning Gong Li plays the role of ‘mysterious’ woman. She has that sultry, mysterious look in her eyes and you can’t take your eyes off of her. Can you imagine she’s 45 years old? Damn. She ages to gracefully and still looks like a babe to me. The two support actors are no slouches either. I even saw some glimpses of old John Woo movies when Chow Yun-Fat busted out the gun and layed some bodies down. And Ken Watanabe has that sinister vibe in him as the film’s main bad guy, though he adds a certain class to his villainous character.

Chow Yun-Fat showed some glimpses of 'Inspecter Tequila'

This is an enjoyable movie, and it captures that sense of mystery, mistrust, betrayal and fear that you experience during an espionage film. Though this isn’t essentially a war film in that it’s main focus is about blowing up people etc, it is about the struggle of invasion and the effects it has on the people. View this movie as a throwback to the classic film-noir genre with an outstanding cast and production value. People new to the film-noir genre: give this time capsule thriller a chance.

Rating:

ConfessionsThis movie caught my attention when I heard this was Japan’s choice for ‘Best Foreign Language Movie’ at the Oscars. It eventually didn’t make the cut but don’t let that fool you. This is the kind of movie that would get too many raised eyebrows at a mainstream viewing. I can safely say that this is one of the most depressing en darkest movies I’ve ever seen. I don’t really want to spoil too much so you can stop reading now and sit back and enjoy this masterpiece right now.

In case you want know get some more info. Read on…
Confessions starts with an impressive 30 minute intro, meticulously revealing the bottom line of the film. A young female teacher is quitting her job after finding out that her daughter’s death was no mere accident, but premeditated murder by two of her very own students. As the boys haven’t reached the age of 14 yet they are protected by the Japanese law and they cannot be punished, so she has to find more creative ways to get back at them. And believe me, she does.

Takako Matsu plays the chilling teacher Yuko Moriguchi

This is really all I can say about the plot without spoiling it. I have to give director Tetsuya Nakashima major props because he delivers a quality movie with exceptional social commentary. On the surface this movie looks kinda like a mainstream revenge flick. The main difference is that the revenge is geared towards children. You don’t get that sense of victory or positive feeling when Miss Moriguchi gets her revenge. Certainly not like when Oh-Dae Su kicks major ass in the revenge movie Oldboy. This movie is way, way to dark and depressing for that.

The soundtrack deserves major credit too. Very atmospheric music that is closely tailored to the editing within each scene. The intro is a superb example of audiovisual film making, with sounds dropping left and right, only to return after sharp cuts and change of perspectives. I wouldn’t have minded if the whole film had played in that single classroom, it was that dense and gripping.

You want revenge? Oh, you gonna get it width this movie

The acting is stellar, with Takako Matsu leading the pack. She portrays the teacher with an icy sense of anger that’s quite simply frightening. Also nothing but praise for the rest of the young cast. They play an important part in making the rather far-fetched story believable. Quite a feat for such a young group of actors.

I can wholeheartedly say that this is one of the best movies of 2010, maybe even THE best I’ve seen. And I’m sure this movie will be in my top 10 movies all time. Yeah, It’s that good!

Rating: